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Taking craft global

Monday, October 18th, 2010

Global tailorI’ve already written several times about one of my favourite networking organisations, the City Women’s Network. And last week I finally got to give a presentation at one of their regular meetings. In fact it was a forum about how to develop a global aspect to your business. These days, it’s not just multinational companies that can operate globally. Even a small, specialist trade like mine can – in fact needs – a global dimension. And of course it’s now possible thanks to the internet.

I was one of a panel of four speakers. You can read about the others here. They all had legal or commercial backgrounds so at first felt I might be rather out of place, talking about my very specialised craft. But when I started to mull it over, I hit on the idea of looking at the issue in reverse.

Most people think of ‘globalisation’ in terms of establishing a presence on every continent. But my kind of globalisation is about bringing the world to my doorstep. I was reminded of a quote by my famous countryman, Ralph Waldo Emerson: ‘If a man can write a better book, preach a better sermon, or make a better mousetrap than his neighbour, though he build his house in the woods, the world will make a beaten path to his door’.

I was able to relate how important it was for specialist crafts to group together when marketing to clients globally. TfW has alliances with specialist shoemakers, hat makers, and even gunsmiths. But the big difference between our respective trades and most global brands is that we offer something unique to every client. A can of coke is the same in every corner of the globe, but a TfW suit is unique to the person wearing it.

It was flattering that everyone had favourable comments, mostly responding to the visuals of colour, texture and the look of quality in the products. I had shown images of a hand made shotgun, a set of shoe lasts and broadened my talk to include taking craft global. In Britain, there is an authentic tradition of proper training in these crafts. Support of the ancient guilds and titled craftsmen are renowned.  This attracts clients from all over the world.

I explained how the brand is not the item, but the person – the maker; and how that develops through one’s professional relationships with individual clients. An important part of the bespoke tradition is the degree to which a client may participate in the conceptualizing and creation of a unique luxury product. And in talking with colleagues in companies such as Jaeger or Holland & Holland, bespoke is becoming the new luxury experience and ownership means not just buying the product but buying into its creation.

The audience was intrigued with how different my business was to theirs – TfW is not about putting a widget on every coffee table in the world, the opposite in fact. But it was a good fit for the forum.

Tools of the trade

Wednesday, October 6th, 2010

Da VinciI make no secret of my love of craft – the special skills, the attention to detail, the creativity. This week I’m privileged to speak at a meeting of the City Women’s Network (London), a forum for female professionals from all sectors and I’m going to return to my favourite theme of craft in the guise of tailoring. Quite by chance I came across an episode of the UK cult TV series ‘The Dragon’s Den’ the other day. (more…)

The Red Dress

Wednesday, June 9th, 2010

Red dress 04Last week I put the finishing touches to this glorious red dress and sent it on its way to New York for a client who will attend the Tony Awards on Broadway in a few days’ time. She will not feature on any of the artiste lists at the ceremony as her involvement in theatre is as an investor. An unsung but essential (more…)

Biography

Recognised as a pioneer of bespoke tailoring for women, Carol Alayne has over 20 years experience of creating striking garments for arts, sports and media personalities and business wear for professionals and executives.

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